Les secrets de la Fée Ondine

High Grade Van Cleef & Arpels – Secrets of the Fée Ondine Replica Watches Online Safe

One of the stars of the last SIHH was neither a watch, a watchmaker nor a celebrity ambassador. It was a fairy. The Fée Ondine by Van Cleef & Arpels dispensed with all the usual superlatives of the Salon: it wasn’t the most beautiful, the most poetic or the most technical – it was simply… unique. An island of whimsy in an ocean of complications, a purely creative exercise in a deluge of new launches, a timeless object amid the watches du jour. Why did Van Cleef & Arpels make the Fée Ondine? No reason. Simply because it is beautiful. Because Van Cleef & Arpels is one of the last maisons prepared to make beautiful things, just to delight its clients.

The Fée Ondine is nevertheless an extraordinarily complex creation. It may not be considered seemly to examine the underside of a fairy, but WorldTempus took the time to talk to Van Cleef & Arpels Director of Development, who supervised the design of the automaton, in a process that was full of surprises and changes of direction.

59 shades of green

First of all, we were completely unprepared for the complexity of the lily pad. It is made up of 59 separate enamelled strips. Each one is a different length, and has to be adjusted extremely precisely. When they were fired, we found we had gaps of several millimetres between each strip! Most people are aware how difficult it is to make an enamel watch dial, which has to be a given thickness, with microscopic tolerances. Imagine this exercise multiplied by 59, with pieces so big that no one knew how to do it. Until now.

Van Cleef & Arpels is among my favorite “oh god that is costly” luxury brands. Underneath the Richemont Group, the Paris-based manufacturer of high-end, emotion-based beauties produces gorgeous items for mostly girls. These creations are usually extremely good at causing a sharp awareness of depression in the gift-giving center of the male mind. In fact, Van Cleef & Arpels once shared with me that during an internal study of its existing clients, an interesting piece of feedback was that their merchandise had the ability of humbling even very powerful people.While Van Cleef & Arpels is mostly focused on merchandise for ladies, they do possess any men’s watches. They have actually had more in the past, but as of a few years ago they did indicate to me that more men’s watches are part of their future. As promised, Van Cleef & Arpels relaunched the Pierre Arpels collection last year (hands-on here), and this season they have added to the collection with a fascinating new bracelet.While there is a 38mm wide size edition of the new Pierre Arpels watch, our focus here is entirely on the 42mm wide size model that we believe is really the men’s version. You’ll also note from our hands-on article this past year about the Pierre Arpels watch (linked to above) that it is possible to get these watches with a bezel lined with diamonds. While many men in the USA and Europe aren’t too interested in diamonds on their opinion, many men in Asia and the Middle East feel quite the opposite. While I’d hardly want diamonds on a bit I wore daily, I could see the charm in dressing up a luxury watch with additional precious elements. Although I will admit that liner a watch bezel with round-cut diamonds is a specially feminine thing to do.

A matter of proportion

If the size of the different elements of the Fée Ondine appears obvious, that’s great! But it wasn’t always like that. We made a number of models before we hit upon the right proportions. The crux of the issue was the size of the Fairy in relation to the lily pad. We made many, many attempts.

Les secrets de la Fée Ondine

Fée Ondine automaton © Van Cleef & Arpels

No Plan B

The enamel work for the lily petals was very complex. We kept searching and searching for the right material (which had to be perfectly regular) and colours (as we imagined them). The outer petals of the lily flower were particularly difficult to get right. Originally, we had thought of using petrified wood for the case of the automaton movement. Unfortunately, we discovered that wood, even fossilised wood, has a shape memory, and we were unable to carve it into the angles we needed for our design. In the end, ebony proved to be more forgiving, while providing a magnificent visual effect.

Pulverised enamel

In order to produce the different shades of green enamel, from the lightest hues in the centre, growing darker towards the edges, we couldn’t apply the enamel in the traditional fashion, with a brush. To achieve a soft and gradual colour gradient, we perfected a system using pulverised powder. The darker tones are obtained by applying more coats than the lighter shades. The leaf veins are engraved.

Grace and rigidity

The beauty of an automaton lies in how it moves. It was a real challenge to bring this fairy made of gold encrusted with gems, an absolutely rigid figure, to life. Our partner François Junod employed his mastery of mechanics to gracefully animate our fairy.

Les secrets de la Fée Ondine

© Van Cleef & Arpels

A topsy-turvy oven

The enamel blades of the lily pad are so long that they didn’t fit inside a traditional enamel kiln. They had to be suspended vertically for firing. So we decided to flip our kiln onto its front, so that it stood vertically. It worked!

Countless hours

Our CEO Nicolas Bos trusted us implicitly. His original idea was to bring the piece out for the SIHH 2016, but we didn’t think the Fée Ondine was ready. He didn’t hesitate for a moment to postpone the launch to the SIHH 2017, the following year. Overall, we spent a little more than 12,000 hours on the Fée Ondine, which has a total of 2870 different parts.

Traditional craftsmanship

The Fée Ondine was created with hardly any CAD (computer-assisted design) tools. We had to coordinate fifteen or so different artistic crafts, all of which had their own constraints. CAD wouldn’t have helped us much. We worked in the old-fashioned way, coming together once a month to check on progress.

The first stone

This project was actually the catalyst for the creation of an Objects department. The Fée Ondine is its first creation. We don’t have any concrete plans for the future, but we do have lots of ideas. We are using a lot of the expertise we have acquired through our Haute Joaillerie work.

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